One moment in Book 8 that captured your interest was the story of Hephaestus, Ares, Aphrodite sung by Demodocus, the harper. We learn that Poseidon offers to pay Ares’ fine if the smith sets the war god free. Though among the other gods, “laughter broke” (8.386), Poseidon finds nothing amusing in the embarrassing display in which two gods are caught in a net by a third who humiliates himself by so brazenly displaying his jealousy. I was intrigued by your insight that Poseidon seems set against Hephaestus as “the cripple wins by craft.” Odysseus, too, is crafty. Poseidon is straightforward in his anger. You could take this association even further by analyzing the word, craft.
You also noted that the Phaeacians all had names connected to the sea and sailing, and reflecting their primary identification as a people and the economic activity that sustains their country. The prophecy remembered by Alcinous as he promises to give Odysseus safe passage home seems far more poignant when one considers how deep the Phaeacians’ association with the sea runs.
You also noted a very good epic simile describing Odysseus as he wept at the harper’s song about
Keep up the good work, but also keep pushing yourselves to examine words and phrases in greater detail.

2 comments:
I thought that it was interesting how "the cripple wins by craft" parallels to Homer himself. Dr. Speranza said that Homer was a blind bard. Homer weaved his web of tales into the Illiad and the Odyessey, and the crippled god weaved a web of chains around the lovers and overcame them by craft and cunning. Perhaps Homer was demonstrating that disabilities do not necessarily make one weaker than another (especially the young god of war).
Natalie, an interesting insight. Seeing blind Homer as a craftsman also connects the poet to crafty Odysseus and to Athena, Goddess of War Tactics, or Craft.
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